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The Tree

John Fowles

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The Tree
 

Marketing Campaign

. National Print Campaign, Including New & Noteworthy Paperback Mentions
. Outreach to John Fowles Fans, and Ecco Sites and Blogs, Including Facebook Advertising
. Galley Giveaway on Goodreads.com
. Reader's Edition Available
. Reading Group Guide Available Online
. 6-Copy Counter Display: 978-0-06-200647-9 . $83.94 (NCR)

John Fowles

John Fowles (1926-2005) was one of the greatest English novelists of the 20th century. He won international recognition with his first novel, The Collector, published in 1963, and his many other novels include The Magus, Daniel Martin, and The French Lieutenant’s Woman, which was turned into an acclaimed film starring Meryl Streep and Jeremy Irons.Fowles died in 2005.



Photo Credit: Anthony Georgieff


 

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Also Available

The Tree
The Tree
John Fowles
  • E-Book
  • 9780062029416
  • 9/28/2010
  • $10.99
The Tree 6c Counter
The Tree 6c Counter
John Fowles
  • 9780062006479
  • 9/28/2010
  • 6-Copy Counter Display
  • $83.94
 

Extras


Quotes

"For a casual walk in the forest, or an overnight bivouac in the depths of a favorite armchair, I'd recommend John Fowles's beautiful essay "The Tree." Just released in a 30th-anniversary edition, "The Tree" is a hard-to-summarize meditation on art, nature, individualism and mortality--sort of a cross between Thoreau's "Walden" and John Berger's "Ways of Seeing," with a dash of "The Gift," Lewis Hyde's cult-classic manifesto on creativity thrown in for good measure."


- New York Times, Paper Cuts
"The Tree is part memoir, part explanation and part warning, one of the most beautiful, succinct and prescient pieces of writing we have."


- Los Angeles Times Book Review
"[B]elongs alongside the finest wilderness-rambling narratives."


- The New Yorker "Book Bench"
"A revelation."


- The Paris Review "Daily"
"A gentle plea for wilderness [and] an argument for art and the imagination."


- Chicago Tribune, Editor's Choice
"[A] great book. . . . [T]he perfect little thing to roll up in your pocket and take with you for a lunch in the park. It's like having a laid-back, wide-ranging conversation with one of the greatest novelists of the 20th century."


- The Stranger
"The Tree is a powerful, absorbing and beautifully written meditation on the connection between man and nature. . . . Encompassing Linnaean classification, the wood in popular art and literature, and humanity's flight from the country to the city, Fowles ranges widely. As a result, The Tree offers a magnificent and perfectly poised argument for a form of conservation that is even more pertinent now than when it was first published."


- Financial Times
"[A] beautifully honed plea for us to "be" in the natural world, to seek human creativity through the wild. . . . Beyond the tree and beyond the woods, Fowles challenges us to embrace the unpredictable, the untamable, the unquantifiable."


- Women's Voices for Change
"[S]ays more about our relationship with nature than any other author I've ever read. Republished in honour of its 30th anniversary, this book will open your eyes to the world around you and hopefully have you looking at the next tree or forest you pass in an entirely new light. Or, even better, to not pass it, but sit down and spend some time with it."


- Blogcritics.org
“Delightful. . . . The real subject of this arboreal excursion is not trees at all, but the importance in art of the unpredictable, the unaccountable, the intuitive, the not discernibly useful.”


- Atlantic Monthly
"The most original argument for wilderness preservation I have encountered."


- Washington Post
"[John Fowles] is a master of style, evident in the ease with which he transforms the abstract into the highly tangible, without sacrificing any of the subtleties."


- Christian Science Monitor
“For years I have carried this book . . . with me on travels to reread, ponder, envy. In prose of classic gravity, precision, and delicacy, Fowles addresses matters of final importance... His theme is the relation and the opposition between human notions of control and codification—as exemplified by his father’s neatly pruned fruit trees and the nomenclature of Linnaeus on the one hand—and manifestations of the singular, the surprising, the wild, the imagination . . . on the other.”
 


- Los Angeles Times